Of course, you don’t need to know whether your listener wears a raincoat or a windbreaker. You just need to know your listener’s musical experiences, and that’s not that hard to figure out! You can base a lot of that off educated guesses if you know both the target audience you’re writing for, and the basic context of the show or film’s fictional world.
Boosted posts on Facebook are great for targeting the right audience, in the right location, with ads that show up organically in their feed. Learn about how to work with the ever-changing Facebook visibility algorithms in this article.
A bad relationship can look like anything from unresolved issues between you and a bandmate or collaborator, to being banned from a local venue in your hometown. Not prioritizing and maintaining your musical relationships can lead to major problems in your career, like people in your band quitting suddenly on tour, a bad reputation in your local scene, etc. Burning bridges seems logical in the heat of the moment, but they can come back to haunt you.
Old rappers 2000
Next is an excellent arrangement of the New Order classic “Blue Monday” by Japanese chiptune superstar Hally (it starts at 3:09 in the video). And if you’re into New Order chiptune covers, be sure to check out my own version of “Bizarre Love Triangle.”
Paul Weinstein, aka Chipocrite, is a chiptune musician who uses original Nintendo Game Boys, often accompanied by guitar, bass, drums, and other instruments, to create complex audio masterpieces. He has performed at numerous festivals and conventions, including the Vans Warped Tour, Blip Festival, MAGFest, and AnimeNEXT; provided soundtracks for commercials as well as video games and online videos; and released three EPs in addition to his full-length album, Wordplay, in December 2014. He is currently working on the soundtrack for “EarthNight,” a rogue-like runner game coming soon to several devices. Paul is the instructor for Soundfly’s free Chiptune Crash Course series.
This isn’t to say that we only like songs because our brains are lazy. It has to do with how our brains process new information as it fits into a given context, in this case, how melodic notes fit into a key.
With overwhelmingly positive results, we’re happy to share a few select testimonials of Soundfly’s Beginner Harmonic Theory course directly from our students.
Let’s get a little more serious now. Finnish composer Kaveli Aho’s concerto for solo theremin and chamber orchestra (recording released in 2014, piece written a few years earlier), performed here by theremin all-star Carolina Eyck is an eight-part homage to Lapland, the most northerly region of Finland. Based on the eight-season division of the year, which is traditional for Lapland’s native Sami people, this work is dense with expressionistic harmony and icy, shimmering textures. It’s great, too, to hear the theremin being explored in all its range — often we only hear the middle and higher registers. In this piece, there are moments when the theremin takes on the sounds of other instruments, like the Chinese erhu or the viola, but also moments when it flutters like a bird. This piece is a real treat and a welcome introduction to the expansive oeuvre of Kaveli Aho.
Rap groups 2018
The story behind this obscure mid ’90s musician is almost as good as the music. Brian Shimkowitz, a blogger at the time, found Ata Kak’s cassette at a flea market in Cape Coast, Ghana in 2002. “You may never hear anything like this elsewhere,” he declared in his very first blog post. “No one I know in Ghana listens to this frenetic left-field rap madness.”
“Meant to Be”: We’ve got a very cool, non-standard “shuffle treatment” of a chorus here. The chorus itself is AABA, and after the second chorus they chop it up and shuffle it to make a new section that goes BBA, which I’m going to call a modified half-chorus (c2). Then, we have the shortest bridge in history, just two pop-perfect bars of “maybe”s. Next we’ve got a more proper “non-chopped” half-chorus to end it. And we gotta give a shout-out to the inverted V chord they snuck in there with the moving bass line in the chorus.
In the first year after the birth of the platform, a total of 10 projects succeeded. So far, in 2017, we’ve already produced over 20 projects to completion with more coming in every week. We’re seeing growth internationally this year as well, whereas in the first year, our community was predominantly French.
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Eventually we would like the aQWERTYon to show other real-time information as well: notes on the staff, chord symbols, and the like. We want to do for the web browser what Samuel Halligan’s pop-up piano does for Ableton Live Suite: Turn it into a visual and aural Rosetta stone that translates in real time between different visual and aural representations of music.